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DeSoto Rust Expands American Roots Music
With the release of their third album, Highway Gothic,
Philadelphia-based DeSoto Rust takes their interpretation of American
roots music to a new level. Produced by Joe Carroll (Tom Gillam, Ben
Arnold, Joseph Parsons), the album takes its title from the typeface
used by the Federal Highway Administration on highway signage since the
1940’s. The studio renderings of the eleven new original songs preserve
the energy and spontaneity of the band’s live performances. They made
several well-received appearances during the 2010 South By Southwest
Music Festival in Austin, Texas (part of their Southern Bound 2010
Tour), including a shared billing with guitar legend Bill Kirchen.
Plans are in place to return to Austin in 2013.
The band
frequently performs with guest musicians on keyboards, pedal steel, and
other stringed instruments. Beyond its dynamic original
material, DeSoto Rust also performs an extensive catalog of classic and
contemporary country & western covers.
DeSoto Rust formed
in early 2004, recorded its debut album over the following summer, and,
without the benefit of a label or promotion engine, made its first
showing on the Freeform American Roots (FAR) chart the following year.
Some of the band’s accomplishments:
· Continuous
airplay on broadcast and internet radio across the United States,
Canada, Europe, Australia, and New Zealand
· Inclusion
on several DJ’s “best of” lists for 2005, 2006 and 2009
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Ten months on the Freeform
American Roots (FAR) chart (as high as #11) in 2005 and 2006
· Five months on the
Euro-Americana chart (as high as #12) in 2005 and 2006
· Nominations for song and
CD of the year in 2005 by contributors to the FAR chart
· Songs
featured on RaceHour, a syndicated radio program dedicated to
NASCAR
· Shared
stages with Bill Kirchen, David Allan Coe, Commander Cody, and Dickie
Betts
· Appearances
during the 2010 SXSW Music Festival in Austin, Texas
Here’s what the critics have said about DeSoto Rust:
“[Highway Gothic is] a quantum leap ahead of where the roots rockers
were at after two previous albums, and by all rights should signal their
emergence into the top ranks of America’s rock ‘n’ roll bands.” – David
McGee, The Bluegrass Special, January 2010
“With the
unusually high quality of the material, confident identity and assured
musicianship, DeSoto Rust now remind me more of Austin’s late, lamented
The Highwaymen/Loose Diamonds than, as they did on their earlier albums,
of The Band or CCR.
– John Conquest, 3rd Coast Music, December 2009.
“It’s a rock solid
collection of eleven originals and one well-placed cover that’s well
produced, well played and well written.” – Reb Landers, The Alternate
Root, November 2009.
“The band
also have that seemingly effortless simpatico that comes from playing
together forever.” – Jeremy Searle, Americana UK, November 28,
2009
"Everything your parents don't want you to get into as a teenager –
that’s what DeSoto Rust makes you feel. Everything you love about the
night, about love and desire, sex and retribution. All those sides of us
that the highway calls up.” – John Shelton Ivany, National News
Bureau, JSI’s Top 21, November 2009
“The lost
art of blue collar rock is alive and well here." – Chris Spector,
Midwest Record, October 28, 2009
“Great road trip music!” –
Shayne Hollinger, Program Director, Mandatory FM, Stephenville, Texas,
April 2009.
Discography:
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Highway Gothic
(October 2009) – The newest release marks a return to the
group’s bar band roots with a hard-driving rhythm section and
thick guitar sound, sweetened with harmonies. Eleven original
tunes continue to explore the theme of the American road using
the FHA’s signage font as a metaphorical springboard. Produced
by Joe Carroll, the album also features a cover of Bob Dylan’s
New Morning. |
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Greene Country Towne
(April 2006) – With a title referring to William Penn’s lofty
vision for Philadelphia, Greene Country Towne is a varied
yet cohesive collection of original songs, with themes of
heartbreak, isolation, disappointment, and the promise of
redemption on the American road. The instrumentation, still
centered around the twang of the guitar, is more layered and
sophisticated than the group’s debut, while remaining true to
its Americana roots. |
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DeSoto Rust
(October 2004) – The debut release features twelve original
tunes, along with a cover of Red Simpson’s classic Close Up
the Honky Tonks. Recorded mostly “live” in the studio with
few overdubs or gimmicks, the CD captures the sound and energy
of a live performance – hard-rocking with an unmistakable twang. |
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DeSoto Rust:
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Ray Hunter
– vocals, rhythm guitar
David Parisi
–
vocals, bass
guitar |
David Otwell
– vocals, lead guitar
Dave Reeve
– vocals, drums, percussion
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DeSoto Rust music is available at:
CDBaby, iTunes, and
Airplay Direct |
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